In order to start analysing this song, the notation is a good tool to begin with. Therefore this analysis intends to use some of those parameters when looking at вЂNakamarra.вЂ™ Some of the sub heading parameters will not be relevant to the case study and therefore will not be used. It covers parameters that are important to consider, some of which may not be found in notation. TaggвЂ™s вЂChecklist Of Parameters Of Musical ExpressionвЂ™ (1982, pp 47-48) is a useful guide to follow when analysing a song. Certain other methodologies are touched on briefly where approprite. This is because these parameters should pinpoint the techniques Hiatus Kaiyote use to form their sound, arguably a sophisticated sound. were studied and considered for this analytical case study, but it seemed as though the most appropriate main methodology suited to the initial research question wasВ TaggвЂ™s вЂChecklist Of Parameters Of Musical ExpressionвЂ™ (1982). The Soundbox, Dockwray and Moore 2011), The Performance (audience, venue, performer, Frith 1996 and Pattie 2007), Semiotic Theory: PeirceвЂ™s Tripartite Model (1977), Cooke (1959), Tagg (1982) and Machin (2010) talking thoroughly about the Semiotic Resources in Sound and MachinвЂ™s Sound Qualities: Arrangement and Rhythm etc. Many methodologies and theories such as The Musicology of Production (e.g. Which of the possible methodologies will help to explore and pinpoint the analytic factors that make вЂNakamarraвЂ™ a more sophisticated song in the realms of Popular Music?

When choosing which are appropriate, the context of the question being asked is key. The question of which methodologies to use is an important one. This perhaps suggests that the level of compositional excellent the band have achieved makes it challenging for the average Popular Music transcriber. Interestingly, Nakamarra was one of the few Hiatus KaiyoteвЂ™s songs found to have be transcribed. Nakamarra, taken from Hiatus KaiyoteвЂ™s first album вЂTawk TomahawkвЂ™ is of particular interest due to itвЂ™s more complex choices of harmonic and melodic arrangement and its lyrical phrasing and content.

Therefore, it seems advisable to study what Hiatus Kaiyote do beyond a more common description of Popular Music to take their songs to a more sophisticated and yet still popular level of composition.

This band seem to have a level of sophistication in their song arrangements. Stream вЂњGet Sun,вЂќ featuring Arthur Verocai, below, and mark your calendars for вЂњMood ValiantвЂќ on June 25.The aim of this case study is to find and apply methodologies suitable for study with regards to analysing one of Hiatus KaiyoteвЂ™s songs, with particular reference to sophistication in Popular Music. If the single lets listeners in on anything about their upcoming album, itвЂ™s that Hiatus KaiyoteвЂ™s signature complex, at times experimental, style has not grown redundant during their time out of the spotlight. вЂњGet SunвЂќ sets the mood for Hiatus KaiyoteвЂ™s upcoming album, evoking the same emotions Hiatus Kaiyote with SaalfieldвЂ™s recognizable vocal stylings and layering patterns as well as strong roots in jazz and funk, but the single additionally incorporates the iconic rhythmic patterns of Verocai. Following her surgery and throughout recovery, the album began to shift its original focus in 2019, taking inspiration and guidance from Brazilian arranger Arthur Verocai. Made up of lead singer and guitarist Naomi вЂњNai PalmвЂќ Saalfield, bassist Paul Bender, keyboardist Simon Mavin and drummer Perrin Moss, Hiatus Kaiyote has been chipping away at вЂњMood ValiantвЂќ over the span of the last six years, with instrumentals mostly ready for vocal tracking in 2018.ДЄt around the same time, Saalfield was diagnosed with breast cancer and flew to the U.S. The groupвЂ™s first album since 2015вЂ™s Choose Your Weapon, Mood Valiant is highly anticipated by fans and critics alike. Melbourne-based, critically-acclaimed group Hiatus Kaiyote announces new album Mood Valiant with an expected release date of June 25.

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